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Most people have the misconception that portrait photography means on a stool in front of a camera. Many associate it with the thought of having a passport or yearbook photo. While you may still find individuals who think by doing this, photographers are continuing to move forward by introducing new twists to this type of classic and straightforward concept.

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Perhaps surprisingly to some, among the best lenses available for photographing a nude person is the often discarded standard 50mm lens, which is generally the cheapest option in each and every camera maker’s lens range, but invariably of excellent optical quality, experiencing almost zero distortion or chromatic aberrations.

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But I believe that it is in their own representations of women that Laura Knight’s best product shall be found. ‘Self and Nude’ might be her most well-known painting, and also the relationship between the women depicted with this work was faraway from conventional. In 1913 the Knights, who had no children, left Newlyn to in the secluded Lamorna valley. Here they made many close friendships, especially with their neighbours, Ella and Charles Naper. Ella would have been a ceramicist and maker of exquisite jewellery, and the two women collaborated on enamelling projects. Laura and Harold had drifted apart emotionally and Harold fell crazy about Ella, though there isn’t any evidence of marital infidelity. Laura encouraged the partnership because it made Harold simpler to deal with. Furthermore, she was interested in Ella’s beauty and gained emotional sustenance off their friendship. In her autobiography Laura described Ella as ‘an adorably lovely slim creature, brown as a berry’. The Napers were built with a hut on Bodmin Moor which provided a retreat where they will relax away from social pressures. Often these folks were together with pals including the Knights, where they will enjoy a bohemian existence, swimming, sketching and taking photographs.